WELLNESS DECEMBER COVER

I feel well just looking at that cover 🙂 December cover! Yes, Yes, YES! What a great birthday gift from the Universe. Photo credit to Stephanie Papini. Thank you City Bowl Fitness for doing what you do best – making me push my body to its limit and beyond.

“DANIEL MPILO RICHARDS: DMR Productions (Pty) Ltd – #livingmydream
Being a professional actor, I live life well by eating healthy, natural and wholesome food from wellness, I exercise everyday at City Bowl Fitness and I explore Cape Towns natural beauty to maintain a positive and healthy mindset.”

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How Nicholas Caracandus Made DIABETES His Friend.

“Diabetes is not a curse
it’s a blessing in disguise.”

The first time i walked into City Bowl Fitness, at the bottom of Loop Street, Cape Town, i was greeted with a message on the wall that said “I welcome you to the community of people who have decided that easy will no longer suffice.” Around the corner, i found Nicholas Caracandas, head coach and owner of City Bowl Fitness, very calmly and sternly motivating a class to push through the last 30 seconds of their Strength and Conditioning workout. The smell of sweat and various deodorants lost in the heat of the moving bodies filled my nostrils- a smell you would hope to come across in a fitness studio.

Nicholas Caracandas, who will be referred as Nick from now on, is a Type 1 diabetic and for those of you who don’t know, his pancreas refuses to produce insulin. An estimated 5% of people with diabetes have this form of the disease. Insulin is a hormone that transports glucose (broken down starches and sugars) from the bloodstream into the cells of the body – a seemingly vital process that one cannot go without.

Nick has been friends with his diabetes for past 17 years and seems to be the domineering friend in this relationship, telling diabetes what to do. How does he do it? He says:

“As a diabetic, you have what they call the “triangle of control”. This means that you need to control diabetes with Diet and Exercise BEFORE Medication. Fact is 65% of diabetics get this order mixed up. Diabetes is very much a trial and error affliction.”

Everything about Nick’s discoveries on his journey to be-friending diabetes and becoming the owner and head-coach of his own fitness brand, City Bowl Fitness, is on his extensive, inspiring and highly informative website – www.diabeticathletic.com. If you cant become best buddies with diabetes after looking at that then i don’t know who’s going to help you.

Nick’s story is nothing short of inspiring. His philosophy behind his training and fitness studio makes you want to be a fly on the wall to observe how one gets this right. So much thinking and planning has gone into the core principles that govern City Bowl Fitness. Nick epitomises the image of a man who has created balance in his life and who has mastered his mind, body, soul and disease. A man who has the user manual for his machinery.

“Diabetes is not a curse and is completely manageable. The way I see it, this is life’s way of forcing us to live the healthiest lifestyle possible. It’s a blessing in disguise.”

City Bowl Fitness is an environment that promotes community encouragement- opposite to the many gym experiences I’ve come across, where everyone is in their own bubble. It’s unique approach to fitness just makes sense:

“I teach people how to move, I train with one main goal in mind: REAL LIFE fitness! I train for performance, not to look good in a mirror! After all
 What is a Ferrari, without its engine? Keep the body guessing. You are able to apply your fitness and skills taught by us in everything that you do. All workouts are carried out with a relatively high level of intensity with one goal in mind – Increased work capacity. We build our athletes and members up, in order to adapt the ability to fit more work in LESS time . This is the definition of Fitness.”

But what is most impressive about Nick and City Bowl’s approach is his concept of Quality vs Quantity and that workouts are scaled to your level of fitness, which allows for diversity and not just your big bulky muscle-types or super fit athletes. City Bowl Fitness offers:

“
a very Personal  perspective, we develop our members and athletes in a very non compromising yet very demanding approach. Helping people on such a personal level lim its us in some way, yet this Quality over Quantity approach is the reason our doors are al ways open.”

I am a health fanatic myself who is always in search of creating a better lifestyle for myself. Having spent a number of years working out in what is perceived as your ‘normal’ gym environment, motivating myself and even attending classes offered by various gyms, nothing compares to City Bowl and its intimacy. The classes are hard, if you push yourself there, and offer variety – my body tells me about it in the morning. What has kept me going back to City Bowl Fitness is the sense of community, attention to detail, one on one coaching – even in group sessions – and the role-model that is Nicholas Caracandas.

Being in control of your diabetes is no easy task. It requires an immense amount of discipline to pull off- especially if you have a sweet tooth. Nick is a prime example of someone that has educated himself about the disease, eats well according to his needs and and continues to master his body. Nick, in every sense of the word, has made diabetes his friend – now its your turn.

City Bowl Fitness – Train Smart, Train Elite: www.citybowlfitness.co.za

REVIEW: DIE GLAS ENNIE DRAAD

STEYN SAYS...

Daniel Richards, front, and Gantane Kusch, back. Daniel Richards, front, and Gantane Kusch, back.

This review was first published in Cape Times on 25 March 2015.

DIE GLAS ENNIE DRAAD. Directed by Sandra Temmingh, and starring Daniel Richards and Gantane Kusch. At the Artscape Arena theatre, Tuesday to Friday at 8.15pm, Saturday at 3pm and 8.15pm and Sunday at 3pm (Until March 29). STEYN DU TOIT reviews.

“If drug dealers make so much money, why are they still living with their mothers?” economist Steven Levitt and journalist Stephen J. Dubner asks in 2005’s Freakonomics: A Rogue Economist Explores the Hidden Side of Everything.

The process of reaching their conclusion is one of many reasons why this fascinating book proved so popular, but for the purposes of this review I’ll cut to the chase. Drug dealers and gang members still live with their mothers because, well, they actually end up making less money than the average McDonald’s employee.

Levitt


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Othello – Maynardville 2014/2015

As prep week for the new Maynardville show, Shakespeare’s Othello, draws to a close, I am getting ready to get into the full swing of things with rehearsals starting from next week.

It is my first time working with Fred Abrahamse as a director I am rather excited. He was my invigilator for my final year performance exams at the end of 2013 and now I get the honour of working with him.

I also share the stage with familiar faces form  last years Maynardville, Richard III, Faniswa Yisa and Siya Sikuwati. Exciting!

It is a wonderful feeling greeting people you met the year before knowing you are going to work with them again. From actors to the production team and dressers! A blessed career I have had thus far. My goodness.

Liz Mills is getting our voices in shape this week and boy is it great working with her.

OTHELLO 2014/2015 watch this space for updates!

#livingthedream

Moving forward

After a year of non-stop work as an actor in South Africa, where one is not as valued as you would hope (no surprise there), I finally took a break…a holiday..down time. But man was that hard. Trying to calm down and relax was some what tough after doing Born Free at the Artscape for a month, all on my lonesome, and then taking part in the first ever Cape Town Fringe with Fergus of Galloway and Salt – back to back performances during the day – with Born Free in the evening! What a priviledge, what an honor…what exhaustion.

Don’t get me wrong, I am eternally grateful for this non-stop work, which not many actors get straight out of university. But moving forward, it is time to work SMART and not as HARD. Time is a valuable thing and you are only young once.

2015 will give rise to at least one, hopefully two, self-produced and collaborated works by my newly opened business DMR Productions pty(ltd).

Let this new, exciting and magical journey begin!

P.S. Im so hungry to be on TV and do some film – anyone out there? There’s is endless potential here and you know where to find me 🙂 If not, why not!

#livingthedream

Be Humble, Be Respectful & you will be Great!

Featured in Die Burger

besige program vir Richards

Kollig op lewe in SA ná ’94

‘Ek hoop ek kan dit met sensitiwiteit weergee’

Mariana Malan

Vrydag 26 September 2014

die burger

Daniel Richards Foto: Bertram Malgas

Besig met een stuk en met twee wat eersdaags te sien is, rus akteur Daniel Richards beslis nie op sy louere nie.

Hy het ook al gehoor dat hy gekies is vir die rolverdeling van ’n groot musiekspel vir volgende jaar en hy skryf aan sy eie stuk vir twee akteurs.

In sy kort loopbaan van nege maande sedert hy klaar studeer het, het dié 22-jarige akteur al iets van alles gedoen.

Hy het die jaar begin met die rol van Richmond in Shakespeare se Richard III in Maynardville, hy het homself vertolk in die stuk Passage, was saam met Nicholas Ellenbogen deel van die alombekende Raiders-reeks, het gesing in Fergus of Galloway , gedans in Salt en nou staan hy alleen op die verhoog in Born Free.

Met Daniels in sy jongste satiriese eenpersoonstuk, Born Free, het Mike van Graan twee baie jong en talentvolle akteurs laat saamwerk.

Die Fleur du Cap-wenner Mbulelo Grootboom is die regisseur. Hy was self al in drie van Van Graan se stukke te sien.

Born Free is tans tot 11 Oktober te sien en op die Cape Town Fringe sal hy weer te sien wees in die ligte musiekspel Fergus of Galloway en Salt, die magies-realistiese drama gekombineer met bewegingsteater.

“Dis belangrik om veelsydig te wees,” sĂȘ hy, “maar dit is uitdagend om van drama na komedie, en van musiekspel na dans te beweeg.”

En Born Free is baie uitdagend. Dit is in die pas met Van Graan se tekste. Daar word op die af­gelope twee dekades van ’n demokratiese Suid-Afrika skerp kommentaar ­gelewer.

“Omdat ek iemand is wat nie apartheid ondervind het nie, is dit nogal moeilik om daardie stille letsels wat nog bestaan te verstaan. Ek voel tog ’n mate van irritasie met die geskiedenis, maar die gehoor verwag ’n sensitiwiteit wat ek maar net hoop ek kan weergee.”

Die stuk het vanjaar die Kalfiefees op Hermanus geopen. Hy het gewonder hoe gehore dit daar sou ervaar.

“Ek meen mense daar het meer op ’n intellektuele vlak met Mike se teks eerder as met die emosionele kant geïdentifiseer.”

Richards is in Switserland gebore en het in Amerika, ­Johannesburg en Kaapstad grootgeword waar sy pa studeer het.

Hy het aan die Universiteit van Kaapstad gestudeer en is vir ’n Fleur du Cap-prys as beste student benoem.

Hy vertel trots dat sy volle naam Daniel Mpilo Richards is.

“Mpilo beteken ‘lewe’ in Zoeloe en ‘gesondheid’ in Xhosa. My pa het my na sy goeie vriend Desmond ­Tutu genoem.”

■ Born Free word tot 11 Oktober (Woensdae tot Saterdae) in die ­Operakroeg in die Kunstekaap in Kaapstad opgevoer.

Daar is plek vir 58 mense per opvoering. Dit begin om 20:00, maar op 26 en 27 September en 4 Oktober begin dit om 18:00 en op 2 Oktober om 21:00.

Bespreek by Computicket of bespreek by Kunstekaap-bel-’n-sitplek by 021 421 7695.

What’s on in Cape Town Review

Review: Passage Attacking or Glorifying Tradition?

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South African masculinity has been exceptionally tainted by hegemony throughout the 20th century, highlighted unflatteringly by – most notably – men’s violence against women. As such, Passage, currently running at the Baxter Theatre, is achingly relevant. This stirring social commentary in the vein of a ‘dramedy’ aims to address the racial, divisive, misogynistic and homophobic aspects of modern masculinity in which African tradition is steeped. The problem: how to address these complex paradigms in a society where there is a tremendous push toward non-toxic masculinity and elevated stages of gender consciousness? Thando Doni, one of South Africa’s up-and-coming directors, seems well up to the task.

Gender is an incredibly complicated issue, and the ways in which we have come to understand it are myriad, fascinating, and worthy of celebration. Passage details the daily external conflicts faced by South African men, examines the stumbling blocks youths encounter as they progress to adulthood, and attempts to dispel the myth of young men being driven solely by their hormones. Essentially South African, the play follows an alliance between five men of different cultural backgrounds as it highlights local traditions, bro-centric solidarity and multi-culturalism in the primary languages of the country.Passage shifts the viewer between feelings of profound angst, compassion, and exasperation.  Crucially, it invokes a response.

The production opens with an evocative image both bestial and grotesque, played with a remarkable degree of diligence by Daniel Richards in a scene which seems to allude to the traditional animalistic tendencies of men. Much of the comic relief depends on Aphiwe Menziwa’s proverbial joker, whose ill-tempered yet self-deprecating humour offers a welcoming diversion to a production which at times can be heavily emotive. The show is stolen, however, by Mkhuseli Tafane who brings an invigorating presence as the tribal mentor of the clan, and the moral compass on which much of the cohesiveness of this tale depends.

The trouble with Passage lies mainly with its vague depiction of compelling male concepts. Too many questions are left unanswered during certain segments, and while the direction team has tackled a good range of topical subject matters such as how men deal with homosexuality and circumcision, the play fails to actively follow through far enough. At times, Passage takes an active and aggressive stance against hegemonic male ideals, yet at the same time it glorifies the archaic and traditional paradigms of masculinity.

Lighting designer Bennie Arendse’s expert touch merges perfectly with set and costume coordinator Chalatsane in a collaborative effort that reigns supreme as it captures the mood of each scene with fade in-out hazes and midnight blues on an open stage. Lighting plays a fundamental role in Passage, not only to accentuate the striking facial and body profiles of the actors, but also to set the tone for the interchangeable platforms.

Ultimately, Passage takes an optimistic approach which proposes that men could in fact benefit from the removal of calcified standards of old masculinity.  This is a production which should be emphasized especially for the younger generation.

Benn Van Der Westhuizen

Introducing my new website

Thanks for stopping by and welcome to my new blog! This is just an introductory post so I’ll keep it short and sweet.

I decided to start a blog because I want to express my passion.

Over the next few months I plan to be writing and sharing posts about the art community. I want to look at theater, post videos and speak about the things I am doing and interested in.

That’s it for now! If you’d like to be kept updated with my posts “Like” this post or subscribe to my blog.

 

#livingthedream